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Á¦¸ñ 2008 ÀÌÁ¦¾ð µî·ÏÀÏ 16-12-27 11:28
±Û¾´ÀÌ °ü¸®ÀÚ Á¶È¸ 2,598
2008

The coordinated  order inherent in the freedom

A Western-style painter Park Hae-Keung's pictures  feature at a glance eye-catching colorful 
and clear and cool remarkable sense of color.   
Usually, It is not easy for your eyes to linger on a picyure when the first impression is very intense, But her picture has subtle zest and lingering and attracting your eyes again. It may be due to a special metaphor her picture reflects calmly.
Appreciating Park Hae-Keung's artwork from the viewpoint of something looming Representational similarity or Reminiscent effect hinted accidentally is exactly the same as we experience the amusement through contemplation and Imagination and sensation 
The following ambivalence can be found as we contemplate  Park Hae-Keung's paintings vacantly.
Impulsive freedom or contingency, Properly coordinated  order.
The former Impulsive freedom or contingency implies Park Hae-Keung's expression style is originated from abstract expressionist who prefer scattering or shedding abstract methods for their artwork.
Just like in Claude Monet¢¥'s Waterlilies, Planarity as solid reality of the object is demolished.
We get to realize that She is at the destination point of planarity where  illusion is almost disassembled.
However, oil colors flow almost unconsciously poured on canvas assuming an atypical liquidity effuses 
the infinite inside freedom impulse. 
Unlike dry abstract expression obsessed by usual logic,
this kind of canvas flow shows energy of life , full of energy metabolism
The latter "properly coordinated order" implies creation of Inevitable accidental conditions by various screen effects looked like fluid and unstructured which act as more like an invisible control.
Actually lines made ​​of a few strands of the flow,  
The trajectories moved in a consistent patterns reveal vivid and diluent and rich expression, at the same time lighten highly sensitive sense of lyric abstract.
By the time We are absorbed in esthetic and sentimental state of mind, Park Hae-Keung draws all over the canvas with unexpected wild strok and turning Inner energy and peak of sense into an trajectoriy is another shock.
Eventually the whole screen develops into an association which gives an intimation something.
It seems like the painter gives an hint at nature something like trees or flowers at this point.
There is an awareness of the freedom in the distance of beginning with the nature to bringing to a conclusion to the nature.
There must be incompatible factors between freedom and nature from the presence point of view, however It's very meaningful for us to find that two incompatible factors make a reconciliation and proceed constantly to 
win-win relationship in Park Hae-Keung's painting.
It could be technical problems, but the fact that the painter uses abstract expression and coordinated it appropriately so as not to be left status of pure coincidence at the same time indicates that the artist deal with her experiences and actions in a broad sense seriously and delicately more like intensively.
Prior to any logic, a sensuous artwork of the painter's
show limpidness without unnecessities at a glance.
That's good enough to make a half achievement to the artwork. Whatsmore if the artwork allows analytical approach again and this and that playful chance and Internal effects can be added, It definitely advances effectiveness and value as a artwork
Particular importance is the fact that her adjusts the screen effects and bright screen which can be interpreted as a decorative, yet balanced.
Of course , We get to have vague expectations about Probable results what if it could be adjusted with more profound tone. But isn't that the painter's inherent preference and temperament ! 
Sensuous pleasure, that alone can be the present of huge experience from her artwork.





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